Tuesday, May 10, 2011
Lindsey Dawn Makenzie
Swollen Gums With Veneers Treatment
From: La Fuga
By Stephen Dipaola
Serge Daney some years ago defined the contemporary cinema as marked by a "priority visual ", an idea that later takes Jean-Louis Comolli. Complete this view on the evolution of contemporary cinema houses instance refer to a "subjective turn" that the cinema in recent years new evidence. But it is a subjectivity that simulates self-centered to disseminate it, deconstruct it in a biography intimate which is possible only as image, visuality, and experience a story that should be made possible and visible.
The tale of subjectivity and experience of a scene, meaning that over the projection and the images are no longer sees the figure of a domain as possible and as I closed on that possibility, but a permanent transfiguration expelling the central biographical representations of self expressing multiple forms of intimacy that can only be as temporality and experience of everyday events or sentimental excesses. The images, then, do not represent the story, as indeed are crossed by it, transfigured expressed on their own visibility.
presents contemporary cinema and the visual experience of subjectivity is not reduced to its simplest form, but expressed as complex intimate and emotional experience.
In this brief article will discuss the experience carried out through the eyes visual attributed to the Argentine films Sentimental Journey (Veronica Chen, 2010) and everyday acts (Raúl Perrone, 2010).
subjectivity in contemporary cinema is conditioned by a form of otherness expressed in the plurality of the visual. The "I can not as a representative figure for the visual experience and transform images own look. The subjective as identification of the look of the character and the viewer becomes an experience impossible in the temporality of contemporary cinematic stories, articulated precisely the topology of the gaze displacement. Disappear any surveying or mapping of vision and all expressible between images is the displacement Biographical of a self that becomes among the multiplicity of its history and intimacy made visible.
The outstanding characteristic of contemporary cinema here is to allow the fragments of reality are expressed as a multiplicity of subjective experience, intimate, sentimental and everyday the screen becomes possible. Pascal Bonitzer clearly expounded: "Always go beyond the image, and so much more if it is passed through the same reality, and reflect on the distribution, ie the act that apparently involves the liabilities of event log . There is always mounting, and location of the camera same field, whereas interestingly cut a piece of visual space, and is a montage "1
Specifically, on this assembly to produce fragments of possible forms of subjectivity a multiple experience of self. Well, now is not the time representation of the story of a subject, but the absolute transfiguration of this temporality. A temporary open and widespread. A new mole that is disrupting the old assumption of psychological interiority, now everything is expressed on the experience of the outside. Privacy is not only displayed, is clearly a more than rearranging the assembly expressing the multiplicity and power of story.
In Sentimental Journey Veronica Chen expressly contemplates his own life in pictures . The film, deeply intimate, through the landscapes of cities on which the director has spent his life and shown in photographs that show more than just hangout. They respond to a transfiguration the subjectivity of what happened in his life over the years. These photographs, then, are perceived as a new experience of travel or travel that is: new stories about their privacy now traversed by a multiplicity of sight. Not only the multiplicity that arises from the dimension of the story that Chen may make it possible to contemplate a new memory and reinterpretation of their life experiences, is also the multiplicity of the eye provided by a projection that extends beyond the work film and that shines through, transparent in view intimacy condition, exposed to image the other and thus transfigured different ways as well in that expectation. In that sense, it is possible to determine the persistence of multiple topography of subjectivity and privacy, as I talk, even make it possible, involves inserting visual field of an exteriority which diversifies always possible utterances of the story.
While the sentimental story of what happens as intimate film Veronica Chen, for his part, through sensible and understands the everyday in the last film of Raúl Perrone, everyday acts. In this film, the use of minimum non-condensed history vocation simply unrealistic to show a small familiar, but to make possible the ways to express and display the privacy and feelings as well as lifestyle and disseminate the experience of those everyday stories. All daily actions, of course, are simple, simple, harmonious, but at the time, fulfill the condition to diversify and transformed the relationship upon which explores intimacy own family history and their transformations. A biography of the potential leakage of the temporary standard and is an new flow of new subjective visual productions.
is clear, as is usual in his films-the suburbs and weary life as evidenced by Perrone camera, but always gone through the plural ways to become visible. The desire to communicate in this film produced disruptions in daily life that now is gestated in the form of text messages, calls to mobile phones and photographs taken from the same cell. Forms of subjectivity, thus, an experience that emerges from its old ways as possible to navigate to the ways and mechanisms that can succeed in producing their stories. Intimacy and the everyday, and are expressed as being sensitive in two ways: first, as expressive of feelings that allow the practice of family privacy, and second, as the experience of staging of subjectivity that can no longer focus on the Self, since it is only possible as multiplicity of its future on the sensible, on the materiality of its constitution. Daily life is revealed as visible and sensitive as visual experience.
Thus, Perrone might somehow make up the "draft Zavattini" to shoot one and a half in which nothing happens, but you do so under the condition paradox. For just the sensitive, intimate images Perrone transfigured on that allows everyday seemingly quiet and void, all multiply everything into a permanent move. Thus the paradox is perhaps the one that sets the current subjective turn and the one reflected in both the Perrone film as in Chen: Making a multitude of privacy and visual externality, express it as it seems that the only way really possible to become your story, your experience.
Foreign
Exit. This subjectivity out experienced only as exteriority. The personal photo diary of Veronica Chen become possible through visual forms, composing passages from a biography but a history of cinema itself. Photos that happen, they are mounted, which are and which are only possible in the multiple views on the future of the fragments in the composition of the assemblies. Concerned that perhaps the subjective turn some part of contemporary cinema: a priority of the visual but as understanding, recovery of the intimacy of cinema itself also becomes possible only being shown.
As Jean-Louis Comolli stated: "The widespread visibility raises, paradoxically, the issue of the weakening of the representations "2. Precisely, the paradox is concentrated there: when everything becomes visible film itself transforms. It is no longer the representation of everyday life, from the depths of the images, it is now, more precisely, the everyday, became intimate as images and between images. It is, in short, of the possibility, the need for all to be experienced as visual. The possibility of subjectivity in its plurality spreading visual and film images come to pass as one more experience of all these visual forms that record the event in our contemporaneity.
Bibliography
1 - Bonitzer, P. (2007). The blind field. Essays on Realism in cinema. Buenos Aires: Santiago Arcos. p. 85
2 - Comolli, JL. (2007). "Violence of the representation." In: Watch and power. Buenos Aires: Aurelia Rivera, p. 297
Bonitzer, P. (2007). The blind field. Essays on Realism in cinema. Good Aires: Santiago Arcos. Comolli, JL. (2007). "Violence of the representation." In: Watch and power. Buenos Aires: Aurelia Rivera.
Are Microlights Allowed To Land On A Beach
Image from: vantage-spa.com.ar |
Monday, May 2, 2011
Wholesale Pole Vault Pole Tape
totally inspired!! Eric Whitacre
formed a virtual chorus of more than 2,000 people from all over the world.
I hope this video
INSPIRE your life and invite you to keep dreaming ... and realizing your dreams.
Hugs, Irene
Thursday, April 28, 2011
Dancing Raisins Science Project
Marco Notaro
This kills me nervous is that this absence
this missing you is that it destroys nerve
This is a colored ball is a leg
racehorse
is an apple, an Adam
is a neurosis , a tanning
A beer to pay a fine for smoking tobacco
a new kiss to ask
This nervous, this desire to leave
seems that I am not here to rain calms me
This unnerves the other
but I
And I mix with its floods of agony and I was nervous
this sucks
I would not even be born if not born to you I did not even ask
For you're starting to
This is so nervous, a total knockout
not good for me or hurt me is my
breeze, gale is
I will organize a plebiscite
if you say no, I quote
If you say no then I shut
me raise my head and rocking in smoke in a snap
And there I go silly in front
not take me that the snake will'm
Mato, hurt, and how do
as I do, nor do I know I know
that at the time of my cricket, I agree with his sweetly
And you just took a seat and frill
chicotesó to prove stronger than me
But this I know, I know that your
Curte / I rock my
leave the node
I leave the line I just had everything that I am leaving for another
you
Better for me better for my
much better for your
Wednesday, April 13, 2011
I Need An Investor For A Funeral Home
c / Del Pilar 3, Murcia capital. Olivia
sign copies to attendees who are encouraged to buy his novel.
can also find us from 14 to 17 April in the Barcelona Comic Fair, booth number 78. Here you can purchase all our publications, from comics to books. As guests are Dorianne ( kisses Whisper) and Nessa Ninona with comic "Little Death."
Removing Burn Marks From Le Creuset
Carsales Person Resume
Islanders
Friday, April 1, 2011
Cheapest Full Tilt Play Chips
Rhino 4.0 Evalutaion Version
From time Quilp enters the scene, Nell and her grandfather embark on a journey through England. Run through villages, cities blackened by soot, places full of misery. And in his pilgrimage, in the purest tradition of Cervantes, alternating with a colorful cast of characters: carnies, reading charcoal fire, teachers, trainers of dogs, owners of mobile museums, dandies with a tragic sense of life and stubborn ponies .
serialized between 1840 and 1841, The Old Curiosity Shop is one of the least known works of Dickens in Spain and, despite this, the most famous were the author. Following publication of the final chapter, readers Americans stormed the Docks of New York to ask for news about the end to sailors returning from England. Recently, U.S. newspapers compared the popular excitement before the publication of the last volume of Harry Potter with that of The Old Curiosity Shop .
Do People With Lewy Bodys See Dead People
Saturday, March 26, 2011
Dac12004rc Instruction Manual
; ; IN STORES MARCH 31!
Big Size Formal Dress
Translation: Marta Torres Llopis
Published: 02/28/2011
Format: 21 x 15 cm
Binding: Paperback with flaps
Pages: 256
PVP: 16 €
ISBN: 978-84 Collection
-938013-4-2 : White Nights, No 6
Gender : Stories
Other languages: English, French
So begins this collection of short stories by Bulbul Sharma on his aunts, young and old, brave and exasperating, but always unpredictable. One of them has just married to a husband who can not bear the humiliation of being shorter than she, one thinks only of climbing mountains in search of spiritual peace and another begins to work in a palace, day after day, it sinks increasingly in the swamp that surrounds it.
An ironic and bittersweet mix of stories about India before and after the revolution of Gandhi, and a reflection on the position of women and the old traditions and prejudices.
"My holy aunts is a delicious, though provocative, library tales. " The Tribune . "[Bulbul Sharma] writes with humor and humanity." India Today .
Wednesday, March 23, 2011
How You Ever Been Topless On Beach
'm a romantic, no doubt about it. The good news is that over the years the romance is based, the trouble is that I still have a few years.
And as promised, here's the video of "Dance Me to the End of Love" by Leonard Cohen. Enjoy.
in this direction is a better version of the video, but is not available for posts: (
http://www.youtube.com/watch?v=-xkhunXkiQM&NR=1
Monday, March 21, 2011
Combating Insulin Resistance In Pcos
; ; ON SALE APRIL 6
Thursday, March 17, 2011
Additional Mathematics Project Work
Synopsis:
Samuel is a guy with low self-esteem, shy, quiet, moody and tormented by the death of his mother and a poor relationship with his father.
Marc, however, is friendly, cheerful, funny, joker, and is completely devoted to Samuel smile.
However, both keep a secret that torments: they are gay and in love with each other without knowing it.
Read the first 91 pages free
http://es.scribd.com/doc/49100595/Ediciones-Babylon-primeras-paginas-de-Susurro-de-besos