Lindsey Dawn Makenzie

Miss Drake, the priest and the spectrum

has come a time in my life when I am on the threshold between what I was and what I will also be read as "go mad" ... because this threshold the surrealist paintings of Dali and his own insanity, are the everyday. Next to the beauty and melancholy, they survive investments, paradoxes, contradictions and the possibility of getting lost forever in the maw of madness. I will put Sylvia Plath some verses and poems, to make a fabric half of my half-life, if someone knew of madness, love and death, she is.

Dialogue between a spectrum and a priest (fragment)

"Go, go," said Father Shawn inpaciente,

"I do not want that stuff fool me go

About tormenting flames golden harps, but tell me

What happened to true at the end of your life, what kind of epilogue

He put God to your life. "Both costs you

Meeting the demand for this curious old fool? "

"In life, love gnawed (" In life, love gnawed my skin

my flesh to the bone, To this white bone;

And as then made, it is now: What did Then love, love does now:

worm through without ceasing. "gnaws me through".)

Here goes, translated by Xoán Abeleira:

Miss Drake sets out to dinner

As is shower

In these elaborate rituals

that mitigate malice

From the table and knotty corner chair,

Newcomer

Wears purple

treads carefully

Its secret combinations

eggshells and fragile

hummingbirds,

Tiptoe, pale as a mouse,

between Damascene roses

That gradually opening its hundred petals are hairy

to devour it and drag it into

The design of the carpet.

With its lively look askance raised bird

can see in the nick of time

The dangerous spines that sprout in the parquet strips

zarzaleño and disrupt their plan;

Across the air full of ambushes,

Blinding because of the dazzling pieces

broken glass

She moves slowly, cautious breath,

tips and Sorting fangs,

Until, getting sideways,

Lift one foot after another

tapped

calmly in the atmosphere, suffocating

the dining room of patients.

In my case madness and love are the same. I eat away the same way, I feed on the same measure. Without one, the other also goes. When she returns, I know he has returned. Love and madness, insanity and death, all living together in the perpetual transformation and change, joy and torment, a body that sometimes you just want to love and other rest lying, dying it is not life, but pure insanity.

What is the reality for a / a lunatic? If the lies are inside herself and the truth is distorted by the absence of references? Is there an absolute truth in this world made of dreams lighting?

Swollen Gums With Veneers Treatment

Visual elements of contemporary subjectivity

From: La Fuga

By Stephen Dipaola

Serge Daney some years ago defined the contemporary cinema as marked by a "priority visual ", an idea that later takes Jean-Louis Comolli. Complete this view on the evolution of contemporary cinema houses instance refer to a "subjective turn" that the cinema in recent years new evidence. But it is a subjectivity that simulates self-centered to disseminate it, deconstruct it in a biography intimate which is possible only as image, visuality, and experience a story that should be made possible and visible.

The tale of subjectivity and experience of a scene, meaning that over the projection and the images are no longer sees the figure of a domain as possible and as I closed on that possibility, but a permanent transfiguration expelling the central biographical representations of self expressing multiple forms of intimacy that can only be as temporality and experience of everyday events or sentimental excesses. The images, then, do not represent the story, as indeed are crossed by it, transfigured expressed on their own visibility.

presents contemporary cinema and the visual experience of subjectivity is not reduced to its simplest form, but expressed as complex intimate and emotional experience.

In this brief article will discuss the experience carried out through the eyes visual attributed to the Argentine films Sentimental Journey (Veronica Chen, 2010) and everyday acts (Raúl Perrone, 2010).

The deconstruction of subjectivity

subjectivity in contemporary cinema is conditioned by a form of otherness expressed in the plurality of the visual. The "I can not as a representative figure for the visual experience and transform images own look. The subjective as identification of the look of the character and the viewer becomes an experience impossible in the temporality of contemporary cinematic stories, articulated precisely the topology of the gaze displacement. Disappear any surveying or mapping of vision and all expressible between images is the displacement Biographical of a self that becomes among the multiplicity of its history and intimacy made visible.

The outstanding characteristic of contemporary cinema here is to allow the fragments of reality are expressed as a multiplicity of subjective experience, intimate, sentimental and everyday the screen becomes possible. Pascal Bonitzer clearly expounded: "Always go beyond the image, and so much more if it is passed through the same reality, and reflect on the distribution, ie the act that apparently involves the liabilities of event log . There is always mounting, and location of the camera same field, whereas interestingly cut a piece of visual space, and is a montage "1

Specifically, on this assembly to produce fragments of possible forms of subjectivity a multiple experience of self. Well, now is not the time representation of the story of a subject, but the absolute transfiguration of this temporality. A temporary open and widespread. A new mole that is disrupting the old assumption of psychological interiority, now everything is expressed on the experience of the outside. Privacy is not only displayed, is clearly a more than rearranging the assembly expressing the multiplicity and power of story.

Photographs and feelings

In Sentimental Journey Veronica Chen expressly contemplates his own life in pictures . The film, deeply intimate, through the landscapes of cities on which the director has spent his life and shown in photographs that show more than just hangout. They respond to a transfiguration the subjectivity of what happened in his life over the years. These photographs, then, are perceived as a new experience of travel or travel that is: new stories about their privacy now traversed by a multiplicity of sight. Not only the multiplicity that arises from the dimension of the story that Chen may make it possible to contemplate a new memory and reinterpretation of their life experiences, is also the multiplicity of the eye provided by a projection that extends beyond the work film and that shines through, transparent in view intimacy condition, exposed to image the other and thus transfigured different ways as well in that expectation. In that sense, it is possible to determine the persistence of multiple topography of subjectivity and privacy, as I talk, even make it possible, involves inserting visual field of an exteriority which diversifies always possible utterances of the story.

The sensible everyday

While the sentimental story of what happens as intimate film Veronica Chen, for his part, through sensible and understands the everyday in the last film of Raúl Perrone, everyday acts. In this film, the use of minimum non-condensed history vocation simply unrealistic to show a small familiar, but to make possible the ways to express and display the privacy and feelings as well as lifestyle and disseminate the experience of those everyday stories. All daily actions, of course, are simple, simple, harmonious, but at the time, fulfill the condition to diversify and transformed the relationship upon which explores intimacy own family history and their transformations. A biography of the potential leakage of the temporary standard and is an new flow of new subjective visual productions.

is clear, as is usual in his films-the suburbs and weary life as evidenced by Perrone camera, but always gone through the plural ways to become visible. The desire to communicate in this film produced disruptions in daily life that now is gestated in the form of text messages, calls to mobile phones and photographs taken from the same cell. Forms of subjectivity, thus, an experience that emerges from its old ways as possible to navigate to the ways and mechanisms that can succeed in producing their stories. Intimacy and the everyday, and are expressed as being sensitive in two ways: first, as expressive of feelings that allow the practice of family privacy, and second, as the experience of staging of subjectivity that can no longer focus on the Self, since it is only possible as multiplicity of its future on the sensible, on the materiality of its constitution. Daily life is revealed as visible and sensitive as visual experience.

Thus, Perrone might somehow make up the "draft Zavattini" to shoot one and a half in which nothing happens, but you do so under the condition paradox. For just the sensitive, intimate images Perrone transfigured on that allows everyday seemingly quiet and void, all multiply everything into a permanent move. Thus the paradox is perhaps the one that sets the current subjective turn and the one reflected in both the Perrone film as in Chen: Making a multitude of privacy and visual externality, express it as it seems that the only way really possible to become your story, your experience.

Foreign

Exit. This subjectivity out experienced only as exteriority. The personal photo diary of Veronica Chen become possible through visual forms, composing passages from a biography but a history of cinema itself. Photos that happen, they are mounted, which are and which are only possible in the multiple views on the future of the fragments in the composition of the assemblies. Concerned that perhaps the subjective turn some part of contemporary cinema: a priority of the visual but as understanding, recovery of the intimacy of cinema itself also becomes possible only being shown.

As Jean-Louis Comolli stated: "The widespread visibility raises, paradoxically, the issue of the weakening of the representations "2. Precisely, the paradox is concentrated there: when everything becomes visible film itself transforms. It is no longer the representation of everyday life, from the depths of the images, it is now, more precisely, the everyday, became intimate as images and between images. It is, in short, of the possibility, the need for all to be experienced as visual. The possibility of subjectivity in its plurality spreading visual and film images come to pass as one more experience of all these visual forms that record the event in our contemporaneity.

Bibliography

1 - Bonitzer, P. (2007). The blind field. Essays on Realism in cinema. Buenos Aires: Santiago Arcos. p. 85

2 - Comolli, JL. (2007). "Violence of the representation." In: Watch and power. Buenos Aires: Aurelia Rivera, p. 297

Bonitzer, P. (2007). The blind field. Essays on Realism in cinema. Good Aires: Santiago Arcos. Comolli, JL. (2007). "Violence of the representation." In: Watch and power. Buenos Aires: Aurelia Rivera.

Are Microlights Allowed To Land On A Beach

"There are emotions that can kill you and other HEAL" Music from Heaven

Image from: vantage-spa.com.ar

My BEAUTIFUL potatoes have sent me this interesting interview where, once again, shows the importance of EMOTIONS ON HEALTH IN THE LIFE.

potatoes

Thanks for contributing to my life plan!

wish that interests you and you open roads ... Irene

Interview: Stella Maris Marus, psiconeuroendocrinoinmunología therapist applies.

I have 55 years. I was born in Buenos Aires, where I live. I educate people facing severe crisis. I am married and have raised four children. Politics? Helping others to live up to the last minute. God? I'm not religious, I am spiritual experience transcendence heals me.

How many patients?

Almost 30,000 in the last 30 years, with all diseases, cancers ...

How do you help?

not trying not to die but to live until they die. Dying Well.

What is dying well? Living

until the last moment fully, intensely. Living longer is no longer, they feel happy to be here and now.

Do not lived before becoming ill?

Many are grateful that your cancer has taught them to be happy, to live! The disease is an opportunity to enrich themselves.

better not come. But there comes

! The pain goes into every home. This needs to know! We should learn from children dying is part of life, and strengthen us in every disappointment.

We teach what is true. Not learning

to dominate the mind, carried live by it. That's bad life. The mind is too crazy to trust your life! Trustingly your business, but not your life!

Why not?

Mind excitation is excited, keeps you from enjoying life. Doctors say they suffer "pleasure deficit syndrome": we do not enjoy what life gives us!

I try.

10% is what you get and 90% is what you do with what you get.

question of attitude. What is the best?

feel passion with the uncertainty of life, to what is going to bring.

"Whatever? Yes

detected psychiatrists today suffer from neurosis noógena: lack of responsibility and sense of our own existence.

Yes that things are wrong.

Yes, but the good news brings cutting-edge science: going inside yourself you can get everything you need, all drugs produced endogenously analgesic, euphoric ... You can learn to heal!

And dispense medicine?

I mean the third revolution in medicine: after surgery and antibiotics psiconeuroendocrinoinmunología arrives.

to see if I can be the word in a line.

is the discipline that integrates psyche and biology, after thirty years of research of scholars such as Carl Simonson, Robert Ader, Stanley Krippner ...

What postulate?

Interconnection central nervous system, the nervous system, endocrine and immune systems. I'll summarize: the emotions alter your immune capacity!

Or is that an emotion can be sick?

The fear of uncertainty, fear, despair, remorse, anger ... Each has its biochemistry! It is poisonous, is depressing the immune system.

do overnight?

Health is not a state: is a process, and very dynamic. Therefore, you can always boost your health if you work your emotions!

Do you work with your patients? Yes, there

ordinary patients, submissive to established beliefs, and patients extraordinary healing that generate beliefs.

believe that you can heal ... Can you heal?

There's an old famous experiment: a forty women with breast cancer, the doctor told them that chemotherapy would leave bald. Then, just twenty women delivered chemotherapy and let the other twenty should believe receive ...

And do not tell me ...

Yes, yes: 60% of the latter were so bald as chemotherapy. What changed the internal biochemistry of these women? Their own beliefs!

Induced by the physician.

This demonstrates the enormous power of the doctor .. Your doctor may encourage his attitude self-healing capacity of the patient! My son is a doctor: he and I urge all doctors never tell an patient to their biological condition is irreversible. That is the only sin doctor.

As there are diagnostic evicted.

sentences are: kill more than the tumor. It accepts the diagnosis, but never accept a prediction! Never if you abandon the hope of improving, of fighting for your own health ... active endogenous suicide.

But planting false hopes ...

"False? My father had predicted three months old doctor for a diagnosis of prostate cancer spread to the liver. We work together with love, relaxation, meditation, nutrition ... year and had no cancer cells. He lived 18 more years.

What did your doctor?

"Miracle" he said. Spontaneous remission. Since that day I closed my business and I turned to help others like my father. And I now live on the border of the miracle: The referral is a side effect in patients who have embraced the forces of health and life.

How have the hug? Feeling

disease

enriches your life and that death is not punishment, widening the circle of what matters and by serving with love for life that transcends us, escaping from your head and beginning to feel, to laugh, to mourn ... Have allowed states have experienced wonder and transcendence.

What do you mean by transcendence?

Liberate your past history and the fears for the future .. Meditation helps a lot. And that changes your biochemistry, you're healthy, you live! For the time being, you are alive.

cancer his father taught him how to help thousands of patients from the Health Foundation ( www.fundacionsalud.org.ar ) in Argentina, supported by scientists from the first row as the right to invite Medicine at Harvard University to participate in seminars spiritual healing (sic): on the sounds we are not here yet, but she assures me will be the new medical paradigm, in which the patient will no longer be seen as a broken machine that needs to be repaired or evicted. This lady enthusiastically taught me everything I eat, think and feel my health is weaving, and I can learn to knit ..

Wholesale Pole Vault Pole Tape

http://www.ted.com/talks/lang/spa/eric_whitacre_a_virtual_choir_2_000_voices_strong.html

totally inspired!! Eric Whitacre
formed a virtual chorus of more than 2,000 people from all over the world.
I hope this video
INSPIRE your life and invite you to keep dreaming ... and realizing your dreams.

Hugs, Irene